Sebastiano Ricci(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
Die Bestrafung des Amor ID de tableau:: 88957 Voir la galerie dans Suède |
Die Bestrafung des Amor 1706-1707 Medium oil on canvas Dimensions 285 x 285 cm (112.2 x 112.2 in) cjr 1706-1707 _ Medium_oil_on_canvas _ Dimensions_285_x_285_cm_(112.2_x_112.2_in) _ cjr |
||||||||
|
|
||||||||||
|
Opfer fur die Gottin Vesta ID de tableau:: 89021 Voir la galerie dans Suède |
Opfer fur die Gottin Vesta 1723(1723) Medium oil on canvas Dimensions Deutsch: 56,5 x 73 cm cjr 1723(1723) _ Medium_oil_on_canvas _ Dimensions_Deutsch:_56,5_x_73_cm_ cjr |
||||||||
|
|
||||||||||
|
Opfer fur den Gott Selenos ID de tableau:: 89022 Voir la galerie dans Suède |
Opfer fur den Gott Selenos 1723(1723) Medium oil on canvas Dimensions Deutsch: 56 x 73,5 cm cjr 1723(1723) _ Medium_oil_on_canvas _ Dimensions_Deutsch:_56_x_73,5_cm_ cjr |
||||||||
|
|
||||||||||
|
L'infanzia di Ciro ID de tableau:: 89508 Voir la galerie dans Suède |
L'infanzia di Ciro 1706-1708 Medium oil on canvas cyf 1706-1708 _ Medium_oil_on_canvas _ cyf |
||||||||
|
|
||||||||||
|
Venus und Amor ID de tableau:: 89907 Voir la galerie dans Suède |
Venus und Amor c. 1713 Medium oil on canvas Dimensions Deutsch: 190 x 106 cm cjr c._1713_ Medium_oil_on_canvas _ Dimensions_Deutsch:_190_x_106_cm_ cjr |
||||||||
|
|
||||||||||
| Artiste précédent Artiste prochain | ||||||||||
|
|
||||||||||
| Sebastiano Ricci | ||||||||||
| (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.